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                        <loc>https://ephemerals.org</loc>
            
            
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                        <loc>https://ephemerals.org/main</loc>
            
            
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            <url>
                        <loc>https://ephemerals.org/about</loc>
            
            
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                        <loc>https://ephemerals.org/essays-1</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2063899723729734178911881011569/381416.jpg</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Essay: Why Surveillance Art Matters (highlighted artists: Lynn Hershmann Leeson&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Essay: Why Surveillance Art Matters (highlighted artists: Lynn Hershmann Leeson&lt;br /&gt;
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                                            <image:caption>Essay : Queering Data Genetics (highlighted artists: Heather Dewey-Hagborg &amp;#x26; Mary Maggic)&lt;br /&gt;
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                                            <image:caption>Essay : The Cyber (In)Visibility Paradox (highlighted artists: Hito Steyerl &amp;#x26; Cypher Sex Collective)</image:caption>
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                                            <image:caption>Essay : Data as the Contemporary Panopticon (highlighted artist: Shu Lea Cheang)&lt;br /&gt;
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        </url>
            <url>
                        <loc>https://ephemerals.org/texts</loc>
            
            
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        </url>
            <url>
                        <loc>https://ephemerals.org/why-queering-surveillance-capitalism-with-art-matters-a-video-essay-by-lynn-hershmann-leeson</loc>
            
            
            <lastmod>2026-02-25T15:34:41+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/K1615842681834722812460099969393/Shadow Stalker by Lynn Hershman Leeson</image:loc>
                                            <image:caption>&lt;i&gt;Shadow Stalker&lt;/i&gt; (2019), a microfilm by Lynn Hershman Leeson that is part of a larger installation of the same name.</image:caption>
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                                            <image:caption>&lt;i&gt;Shadow Stalker&lt;/i&gt; (2019), a microfilm by Lynn Hershman Leeson that is part of a larger installation of the same name.</image:caption>
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        </url>
            <url>
                        <loc>https://ephemerals.org/data-as-the-contemporary-panopticon-a-look-through-shu-lea-cheang’s-‘3x3x6’</loc>
            
            
            <lastmod>2026-02-25T08:52:49+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/C1615823952781677798857506038129/Shu Lea Cheang: 3x3x6 – Venice Biennale 2019</image:loc>
                                            <image:caption>&lt;span style=&quot;color: rgba(0, 0, 0, 0.81);&quot;&gt;Shu Lea Cheang disusses in &lt;i&gt;3x3x6&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(0, 0, 0);&quot;&gt; how data has become the contemporary panopticon.&lt;/span&gt;&lt;br /&gt;
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&lt;a class=&quot;button-7-4&quot; href=&quot;texts&quot; rel=&quot;history&quot;&gt;BACK&lt;/a&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/Q1615827985055464871028393779569/editorial-3-still-from-foucault-x-4k-video-1000-from-the-film-series-for-the-installation-3x3x6.jpeg</image:loc>
                                            <image:caption>Shu Lea Cheang’s &lt;i&gt;Foucault X&lt;/i&gt; (2019) film still
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                                            <image:caption>Shu Lea Cheang’s &lt;i&gt;Foucault X&lt;/i&gt; (2019) film still
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        </url>
            <url>
                        <loc>https://ephemerals.org/the-cyber-(in)visibility-paradox-as-seen-in-hito-steyerl’s-fucking-didacting-educational-mov-file</loc>
            
            
            <lastmod>2026-02-25T08:52:39+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/H1617052534234292264065583817073/Hito Steyerl – &#039;Being Invisible Can Be Deadly&#039; | TateShots</image:loc>
                                            <image:caption>&lt;span style=&quot;color: rgba(20, 2, 2, 0.85);&quot;&gt;Hito Steyerl on the dangers of being both visible and invisible in today’s surveillance capitalist world in &lt;i&gt;How Not To Be Seen: A Fucking Didactic Educational .MOV &lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(8, 1, 1, 0.85);&quot;&gt;&lt;i&gt;File&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(4, 0, 0, 0.85);&quot;&gt; (2013).&lt;/span&gt;&lt;br /&gt;
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&lt;a class=&quot;button-7-8&quot; href=&quot;texts&quot; rel=&quot;history&quot;&gt;BACK&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>&lt;span style=&quot;color: rgba(29, 11, 195, 0.85);&quot;&gt;&lt;i&gt;How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(33, 8, 254, 0.85);&quot;&gt; by the collective Cypher Sex&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/N1666620170348504635227741888881/Capture-decran-2024-03-08-a-17.33.57.png</image:loc>
                                            <image:caption>&lt;span style=&quot;color: rgba(29, 11, 195, 0.85);&quot;&gt;&lt;i&gt;How to Cypher Sex: A Manual for Collective Digital Self-Defense Guides&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(33, 8, 254, 0.85);&quot;&gt; by the collective Cypher Sex&lt;/span&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://ephemerals.org/queering-genetic-data-biohacking-à-la-heather-dewey-hagborg-and-mary-maggic</loc>
            
            
            <lastmod>2026-02-25T08:52:26+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/N1616819327931615001668426670449/Open Source Estrogen: a manifesto</image:loc>
                                            <image:caption>&lt;span style=&quot;color: rgba(21, 4, 169, 0.85);&quot;&gt;Mary Maggic’s &lt;i&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(37, 14, 246, 0.85);&quot;&gt;&lt;i&gt;Open Source Estrogen: a manifesto&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(26, 10, 255, 0.85);&quot;&gt; on hormone queering resistance.&lt;/span&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/M1617051609701926033816566374769/Perrrformat presents Molecular Queering Agency</image:loc>
                                            <image:caption>&lt;span style=&quot;color: rgba(8, 16, 242, 0.85);&quot;&gt;Mary Maggic’s participatory performance &lt;i&gt;Molecular Queering Agency.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/A2187596305403751302284420850033/Capture-decran-2025-01-28-a-16.47.36.png</image:loc>
                                            <image:caption>&lt;span style=&quot;color: rgba(68, 0, 255, 0.85);&quot;&gt;The characters Mary and Mary from Mary Maggic’s ‘Housewives Making Drugs’&lt;/span&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2187598394313050209154045845873/16039-131-jouph-luthy.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;color: rgba(8, 25, 254, 0.85);&quot;&gt;&lt;i&gt;Stranger Visions&lt;/i&gt;&lt;/span&gt;&lt;span style=&quot;color: rgba(42, 0, 255, 0.85);&quot;&gt;(2012-2013) by Heather Dewey-Hagborg&lt;/span&gt;</image:caption>
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                                            <image:caption>Heather Dewey-Hagborg’s &lt;i&gt;Probably Chelsea&lt;/i&gt; (2017)</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2187602272501184033629048938865/Housewives Making Drugs</image:loc>
                                            <image:caption>&lt;i&gt;Housewives Making Drugs&lt;/i&gt; by Mary Maggic&lt;br /&gt;
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        </url>
            <url>
                        <loc>https://ephemerals.org/algorithmic-violence-in-palestine</loc>
            
            
            <lastmod>2026-02-25T08:53:13+00:00</lastmod>
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                                            <image:caption>Screenshot of &lt;i&gt;PalCoreCore&lt;/i&gt; (2023) by Dana Dawud</image:caption>
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                                            <image:caption>Screenshot of &lt;i&gt;PalCoreCore&lt;/i&gt; (2023) by Dana Dawud</image:caption>
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        </url>
            <url>
                        <loc>https://ephemerals.org/reads</loc>
            
            
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        </url>
            <url>
                        <loc>https://ephemerals.org/exhibition-peeking-beyond-the-ending</loc>
            
            
            <lastmod>2026-02-25T08:52:13+00:00</lastmod>
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                                            <image:caption>Sahej Rahal - 3D print&lt;br /&gt;
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                                            <image:caption>Kyriaki Goni ‘A Way of Resisting (Athens Data Garden)’</image:caption>
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                                            <image:caption>Joachim Coucke ‘Frequently Asked Questions’ + ‘LIBRA’</image:caption>
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